Zuni Fetishes for Sale

We have added a new section to our website: Zuni Fetishes!

The Zuni Indians of New Mexico are known the world over for their hand carved fetishes. A fetish is an object, natural or man-made, in which a spirit is thought to reside. Most Zuni fetishes depict animals such as bears, mountain lions, wolves, badgers, frogs, turtles, eagles, snakes, buffalo and others. But the Zuni also carve human, ceremonial and spirit figures, such as the corn maiden. The materials used to carve Zuni fetishes include common stones & gems, such as serpentine, alabaster, marble, turquoise, malachite and pipestone. Also used are organic materials such as wood, bone, horn, antler, shells, amber & jet.

The six principle traditional fetishes are the Mountain Lion (Guardian of the North), the Black Bear (Guardian of the West), the Badger (Guardian of the South), the White Wolf (Guardian of the East), the Eagle (Guardian of the Upper Regions) and the Mole (Guardian of the Lower Regions). The traditional bundles tied to fetishes, typically small turquoise & coral beads and arrowheads, can be seen as offerings to the animal spirit that resides within the fetish.

Zuni Fetish carvings have been used for many ceremonial purposes throughout history. Each animal or character has a specific meaning and use. Some are used to enable hunters to catch game by making the particular animal more plentiful while others are used for healing or to protect an individual or community.

A fetish may be signed by the carver, or not. Personalization by signing a piece of art traditionally violates the Zuni notion of community purpose, and the signing of artwork is a concept introduced to the Zuni by Anglo collectors and traders.

The Fabulous Jewelry of Nestoria Coriz

Nestoria Coriz is the daughter of Lupe Pena and granddaughter of Santiago and Trinidad Pena. She began learning all facets of heishi, bead and stone work from her grandparents at the age of 6. At that time, there was little if any electrical power at the Santo Domingo Pueblo and so all jewelry work was created by hand.

As a teenager in the early 1960's Nestoria learned to make silver jewelry when she began working at Turpen's in Albuquerque alongside her father, Lupe Pena. Nestoria is now in her mid 60s and has created numerous award-winning necklaces. She is self-taught  in all aspects of the design and construction of her necklaces & jewelry. Nestoria uses the highest grades of  stones and shells in creating her unique pieces.

Nestoria's three sons, Daniel, Rodney ans Simon, are all following in the family tradition of creating and crafting unique pieces!

We have a small selection of Nestoria's and Daniel's necklaces available right now on our website. Any of them would make a perfect gift! The ceremonial necklaces can be worn by a man or a woman.

Ready for the holidays!

 

Perfect gift for the woman who loves turquoise!

Are you beginning to think about your holiday gift shopping? Well, we are ready for you. We have just returned from a jewelry buying trip through northern New Mexico and we brought back a large assortment of new contemporary, vintage and dead pawn Native American Indian jewelry. Please keep an eye on our New Arrivals section of our website to see our newest gift ideas. We will be adding items every day!

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Navajo Rug Auction, Cownpoint, New Mexico

In October, I went to the Crown point Rug Auction on the Navajo reservation while I was traveling and bought a few Navajo rugs. It was great fun and you don't have to worry about "fake" southwest style rugs made in Pakistan or some other country halfway around the world. The Navajo weavers bring the rugs to the auction that very evening - an hour or two before the auction starts - and you can meet some of the weavers if you want. They hold the auction at the new Crownpoint Elementary school  the second Friday of every month, viewing at 4pm and auction begins at 7pm. Here's a peek:

We're Moving!

We are moving to New Mexico which means our website Tumbleweeds Jewelry will be temporarily closed until we finally get ourselves situated in our new home. We have chosen Tularosa, New Mexico as the spot where we will begin the next phase of our life. We will be using this "down-time" to re-vamp our website, giving it a little southwestern facelift. We'll also be doing some major Indian jewelry shopping, so we will have a whole new collection of Native American jewelry available shortly!

Things move a little more slowly out here in sunny New Mexico. So we hope you will be patient with us!

Meanwhile, until our website is back up and operational, we will be selling our Native American jewelry on EBAY. Please check us on Ebay, where we will have some new and exciting pieces of contemporary, pawn and vintage Native American Indian jewelry by some of our favorite Navajo and Zuni artists. Now that we are located in New Mexico, we will have greater access to all the fabulous jewelry of the region!

  


 

Navajo Kirk Smith - His life & His Jewelry

Kirk Smith's Old Pawn Style Silver Jewelry

Kirk Smith was one of the best Navajo silversmiths in recent times. His work was always top quality and he used only the best stones and materials. Kirk Smith was killed by a drunk driver in an unfortunate tragedy on September 17, 2012. He was only 55 years old and in his prime, both as a jeweler and as an individual. He will be deeply missed by family, friends and Native American Indian jewelry collectors and traders everywhere.

Kirk came from a well known family of silversmiths  and he began working with silver as a
youngster in the 1960's at his grandfather's workshop. He made jewelry off and on until 1980, when

he returned to silversmithing full time, working with and learning from well-known artist and brother-in-law Harry Morgan. Kirk became an acclaimed artist is his own right by consistently creating investment quality old pawn style jewelry.  With heavy silver, detailed craftsmanship and beautiful stones, Smith's pieces won many awards through the years. Although he changed his style over the years, Kirk remained true to the traditional heavy silver work of the Navajo. At the time of his death, Kirk had surpassed his one-time mentor, the late Harry Morgan, becoming one of  the best practitioner of classic revivalist Navajo design.

  Kirk usually set his jewelry with high-quality stones in vibrant colors with interesting natural matrix patterns. His pawn finish mimics the appearance and patina of naturally aged sterling silver.



Kirk always tried giving back to his people. He taught silversmithing to several other well known silvermsiths, including some of the Martinez family, Fred Brown, Dean Brown and Anthony Skeet. He also was one to help many Navajo different families whenever he could.


We are fortunate to have obtained a large selection of Kirk's bracelets, rings, earrings and pendants shortly after his death. Kirk Smith's work is considered collector and investment quality. With the recent price increases in both turquoise and sterling silver in the last few years, Kirk's beautiful pieces are an excellent investment not only in terms of their high quality turquoise and precious metal but because of the acclaimed artist who created them.

Check out our selection of Kirk Smith jewelry on our website and Ebay below.

Kirk Smith Old Pawn Style Jewelry for sale at Tumbleweeds Jewelry

                                              

               
                                                              

What's my old Indian jewelry worth?

Here is a question I receive frequently: "I inherited some Indian jewelry from my grandmother, grandfather, mother, uncle (fill in the blank) and I was wondering if you could tell me how much it is worth?" or " I found this piece of Indian jewelry at an estate sale. Do you think it is valuable?" Of course, everyone is certain that the piece of jewelry that they bought at a garage sale for $2, is in fact going to be worth thousands of dollars:-)

In order to determine the value of a piece of Native American jewelry, you need to consider the following factors: 

1. Is it really Native American handmade? Just because it "looks" Native American, doesn't mean it is a truly authentic piece of handmade Native American jewelry. And just because Granny bought it on a trip out west in the 1970's, does mean it was actually made by a Native American. Many tourist traps out west, even at the Grand Canyon, sold Indian "look-alike" jewelry that was actually made in Thailand, China, Philippines, Indonesia, the Middle East and elsewhere. 

Misrepresenting goods as Indian-handmade is a federal offense, so today most reliable shops will not do so. But back in the early 1970's, when there were no such regulations in place, there were a large number of imports coming into the country that looked like Indian art, but were not.  

1-a. Is it handmade or mass-produced? This question is closely related to question #1 above. But the truly valuable Indian jewelry is handmade, not machine made. Was the piece completely handmade or was it made with manufactured components or processes and then simply assembled by Native Americans?


2. What is the piece made from?  Is the item made from sterling silver or some other precious metal, like 14 carat gold? Is it stamped "sterling" or "14K"? If not, the item should be tested to determine the metal content. Silver plated jewelry or jewelry made from nickel-silver, German silver, rhodium, or the like is really costume jewelry and hence not as valuable as something made from sterling silver, coin silver or 14K gold.  If the jewelry is set with turquoise, is the turquoise natural, stabilized, reconstituted or man-made? From what mine did the turquoise come?

3. Is the item hallmarked by the maker? A hallmark is put into the back of a piece of Native American jewelry, pottery, or other craft to identify the maker. To research Native American hallmarks in general, I recommend the following reference books: "Hallmarks of the Southwest" by Barton Wright, "Hopi Silver" by Margaret Wright, "Zuni: The Art & the People Vols. 1, 2,&3" by Barbara Bell, or "Native American and Southwestern Silver Hallmarks" by Billie Hougart.

Just because a piece of jewelry is not hallmarked, doesn't necessarily lower it's value. In the early part of the 20th century very few individuals signed their works. But knowing who made a piece of jewelry is one of the most important factors in determining its value. 

We have a page on our website with information about some of the more common Native American artists' hallmarks  

Once you have established who the maker was, you can do a little online research to help you learn more about your jewelry. Obviously, certain silversmiths and jewelers are more popular or collectible than others. The value of a certain artist's work is mostly determined by the marketplace. Sometimes, if the artist is deceased, the value of his work will be higher today than it was when he was alive. But in the case of an artist who is still working today, particularly a Zuni artist who is has been making the same family jewelry for the past 30 years, an old piece isn't going to be worth much more than a new one  that you could purchase from the same artist today.

4. How old is it? Sorry folks, but just because your jewelry is old, doesn't mean it is worth a whole lot more now, than when it was originally purchased. The value of Indian jewelry that was produced back in the 1970-80's has not risen significantly over the last 30 years. (Of course there are always exceptions.) The prices of contemporary jewelry have been rising recently, due to the increases in the cost of silver and the limited availability of high grade turquoise from the old Southwest mines, many of which are now closed.

5. How rare is it? Is this a one-of-a-kind piece? Or is it something that you see all over the Internet or QVC? 

6. Condition?  Are the stones loose, missing or cracked? Is the silver broken in any spots? Don't worry if the silver has turned dark. This is a normal property of silver. Many collectors like or even prefer the aged vintage patina that gives the silver a warm, mellow coloration.

7. Do you have a written receipt from the place where the item was originally purchased? This will go a long way towards substantiating the authenticity and hence the value of your jewelry. And of course, if the jewelry was purchased directly from the artist, there can be little question as to it's origin and authenticity. Any documentation you can provide (referred to as provenance) will help.